‘The Devil Wears Prada 2’ Lobs A Shot At Corporate Media
The New York Times film critic Alissa Wilkinson reviews “The Devil Wears Prada 2.” Source link
The New York Times film critic Alissa Wilkinson reviews “The Devil Wears Prada 2.” Source link
new video loaded: Poetry Month Reading Recommendations It’s National Poetry Month! Greg Cowles, an editor at The New York Times Book Review, recommends some poetry
Our film critic Alissa Wilkinson reviews “Mother Mary.” Source link
The New York Times film critic Alissa Wilkinson reviews “You, Me & Tuscany.” Source link

Buff, waxed or otherwise, thousands answered an open casting call to become the next “Baywatch” discovery — or just “Drowning Swimmer No. 2.” Source link

new video loaded: Why Are We Obsessed With Antigone? Antigone, an ancient Greek play, is being adapted in several theaters across New York City. Our
new video loaded: Our Spring Book Recommendations A few editors from the New York Times’s Book Review give their recommendations for what new releases you

Our awards season columnist Kyle Buchanan talks about the most suspenseful Oscar of 2026 — for best actor. Source link
new video loaded: A New Oscar for Best Casting This year, there’s a new category at the Oscars: the Academy Award for best achievement in
Best picture is the only Oscar category decided by preferential ballot. Our reporter Marc Tracy explains how that works. Source link

Hi, I’m Chloé Zhao. I am the director of “Hamnet.” This is when Agnes, who’s played by Jessie Buckley, comes to the Globe Theater to

Hello, this is Clint Bentley, the co-writer and director of “Train Dreams.” So this is actually the final scene of the movie, spoiler alert. This

Hi, I’m Joachim Trier. I am the director and co-writer of “Sentimental Value.” So we wanted the film to start with a strong character scene,

My Name is Kleber Mendonça Filho and I wrote and directed “The Secret Agent.” This sequence takes place in 1977 and it comes quite late
new video loaded: How ‘Wonder Man’ Can Reshape the Marvel Franchise Our culture critic Maya Phillips analyses Marvel‘s new show “Wonder Man” and looks at

Hello, I’m Emerald Fennell, and I’m the screenwriter and director of “Wuthering Heights.” “Wait till you see your dresses, Cathy.” So in this scene, we
new video loaded: Farewell, Pocket Books Our books reporter Elizabeth A. Harris explores the disappearance of mass market paperbacks — and talks with Stephen King








