Crystal Lake showrunner Brad Caleb Kane has given a small update on the Friday the 13th TV series, which is still in the works
On Halloween of 2022, it was announced that original Friday the 13th screenwriter Victor Miller – fresh off winning the U.S. copyright to the 1980 film after a lawsuit that stretched on for years – was teaming up with his lawyer Marc Toberoff, franchise rights holder Rob Barsamian, production company A24, the Peacock streaming service, and showrunner Bryan Fuller (whose credits include Hannibal and Pushing Daisies) to develop a new Friday the 13th streaming series called Crystal Lake. Things were moving ahead at a good pace, filming was expected to begin this July, but then the project hit a speed bump at the end of April with the firing of Fuller and his frequent collaborator Jim Danger Gray. Things got back on track in late August with the hiring of a new showrunner – and that person is Brad Caleb Kane, who also serves as co-showrunner and executive producer of It: Welcome to Derry, the It prequel series that’s coming to HBO next year. Earlier this month, another Friday the 13th came around on the calendar, and Kane took that opportunity to give a small update on Crystal Lake.
On Instagram, Kane wrote, “Wish I could give a more substantial update but mum’s the word. Suffice it to say the story’s been broken, scripts have been and are being written and the goal is to give the fans (including myself) a tense, scary, bloody and satisfying ride that’s well worth the wait. More news to come in the new year. Unless, y’know… we’re all doomed.“
In addition to showrunner, Kane will be credited as creator, writer, and executive producer of Crystal Lake. It remains to be seen if he’s using anything from the original Fuller scripts and outlines, or if he scrapped those and started over completely. When he was hired, he provided the following statement: “From the moment I watched Jason Voorhees squeeze a guy’s eyeball out of its socket (in glorious 3D!) at the tender age of 8 years old, I knew my creative path was someday destined to converge with The Man Behind The Mask. Nothing defined my childhood more than growing up in the golden age of the slasher flick, and nothing’s defined the genre more than Friday The 13th. I couldn’t be more excited for the opportunity to contribute a chapter to this iconic franchise, particularly with such fearless partners as Peacock and A24.“ In addition to It: Welcome to Derry, Kane’s TV credits include Fringe, Black Sails, Lodge 49, Moonhaven, Warrior, and Tokyo Vice.
A while back, an article published by The Wrap sought to figure out why Crystal Lake fell apart just a few months before filming was scheduled to begin. Their sources gave a lot of conflicting information, but it seemed to boil down to concerns about Fuller’s vision, late scripts, a ballooning budget (it was surpassing the $85 million being provided for the first season), unpaid writers… and possibly A24 executives’ lack of TV experience.
Fuller’s approach to the material was to make each season a deconstruction of the first four Friday the 13th films. “The series would incorporate lore from several sequels but remix that material in a way similar to Fuller’s Hannibal, which interpolated the Thomas Harris novels for three seasons.” So season 1 would be set “in the immediate aftermath of the drowning of a young Jason Voorhees,” and it would center on his mother Pam as she goes on a homicidal rampage of revenge. That rampage doesn’t turn out well for Pam, opening the door for Jason to return and start his own killing spree. Charlize Theron was on the wish list to play Pam, and Claire Danes was actually offered a one season deal to play the character, but she turned it down. Vincenzo Natali (Cube) and Kimberly Peirce (Boys Don’t Cry) were going to be directing episodes, while Scream screenwriter Kevin Williamson was writing an episode that would have been an hour-long chase sequence “set entirely on a frozen Crystal Lake, with the summer camp’s cabins trapped under snow drifts.”
Each episode of Crystal Lake was set to have a budget of $9.6 million, but A24 reportedly wanted to cut that in half. Maybe Kane’s vision will allow them to do that.
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