This week in Newly Reviewed, Andrew Russeth covers Léon Spilliaert’s brooding pieces, Betty Parsons’s restless forms, Adriana Ramic’s beetles and Ho Tam’s barbers. Chelsea Léon
Jordan Tkacsik was perusing his friend Paul Bartlett’s sports memorabilia and trading card shop last year when he noticed something unusual in a section full
Betty Bonney was already a veteran big-band vocalist at 17 when she joined Les Brown and His Orchestra in 1941 — in time to sing
Son of a Jazz Man Ricardo Merrill Scofidio was born on April 16, 1935, in New York City to Earle and June (Matthews) Scofidio. He
Over the years, Duane Keith Davis, who goes by Keffe D, has claimed in interviews and a memoir that he was in the white Cadillac
The Spanish series “When No One Sees Us,” beginning Friday on Max, is one of the better foreign-crime dramas in ages — focused, beautiful, sturdy
Roundabout Theater Company, the largest nonprofit on Broadway, will present three very different classics next season: a Greek tragedy, a drawing-room comedy and a monster
The United States’ relationships with the rest of the world’s nations are fluid right now, but one thing is for sure: We keep importing their
Tyler Mitchell was only 23 in 2018, when his portrait of Beyoncé became the first Vogue cover by a Black photographer. Already established, he was
Several arts organizations sued the National Endowment for the Arts on Thursday, challenging its new requirement that grant applicants agree to comply with President Trump’s
Did the casting call for “Picture This” state that those without dimples needn’t apply? Most of the actors in this British rom-com — directed by
Roy Ayers, a vibraphonist who in the 1970s helped pioneer a new, funkier strain of jazz, becoming a touchstone for many artists who followed and
The philosopher Immanuel Kant once said, “out of the crooked timber of humanity, no straight thing was ever made.” Arguably, then, old age warps us
Only the Canadian writer-director Atom Egoyan (“Exotica,” “The Sweet Hereafter”) could have made the movie “Seven Veils.” His signature obsessions — the ripple effects of
“There’s Still Tomorrow” is set in Rome after World War I, but it unfolds with timeless verve and romanticism. It’s the directorial debut of the
Tyler Mitchell was only 23 in 2018, when his portrait of Beyoncé became the first Vogue cover by a Black photographer. Already established, he was
The New York Times’s classical music and opera critics see and hear much more than they review. Here is what has hooked them recently. Leave
