“Julie Keeps Quiet” ignores the usual movie playbook on post-trauma drama with its unusually internal portrait of a teenage tennis player, Julie. After her ex-coach
The writer-director David Ayer began his career concocting scripts for action thrillers that put some psychological nuance into their boom-boom pyrotechnics. Yes, Denzel Washington’s chest-beating
Gray — who would go on to become a celebrated film actor and monologuist before taking his own life in 2004 — is the most
The Center for Art and Advocacy, a nonprofit that assists artists who have served time in prison, will inaugurate its first physical space on Thursday.
Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch
What you notice right away on “Sable, Fable,” Bon Iver’s fifth studio album and first since 2019, is its directness, its brightness and, in some
When William Leggatt was at work as a renewal energy developer a couple of summers ago, he received a bizarre email from a superfan of
The proliferation of documentaries on streaming services makes it difficult to choose what to watch. Each month, we select three nonfiction films — classics, overlooked
On Oct. 27, 1918, Egon Schiele sketched his wife, Edith, pregnant and feverish in bed. She died from influenza the next day. He died three
Herb Greene, whose evocative portraits of the Grateful Dead, Jefferson Airplane, Janis Joplin and others helped define the rock scene that emerged in San Francisco
L.J. Smith, an author of young adult novels best known for “The Vampire Diaries” series, which became a hit television drama, and for repossessing her
Dennis McDougal, a prolific author, Hollywood muckraker and Peabody Award-winning documentarian, died on Saturday from injuries sustained in a car crash in Southern California. He
The third season of HBO’s “The White Lotus” has featured — spoilers ahead — adultery, a stolen firearm, an incestuous threesome, a dead body in
Eddie Adcock, a virtuoso banjo and guitar player who served as a bridge between the formative early years of bluegrass and the innovative “newgrass” movement
The lights go up on two dancers, each isolated in a zone of light. As the two trade moves and trade places, recognizable elements keep
Eddie Adcock, the virtuoso banjo and guitar player who served as a bridge between the formative early years of bluegrass and the innovative “newgrass” movement
“No Other Land” has racked up festival awards, critical acclaim and the Oscar for best documentary feature. Yet the film, a narrative exposé about Israeli
