Only the Canadian writer-director Atom Egoyan (“Exotica,” “The Sweet Hereafter”) could have made the movie “Seven Veils.” His signature obsessions — the ripple effects of
“There’s Still Tomorrow” is set in Rome after World War I, but it unfolds with timeless verve and romanticism. It’s the directorial debut of the
Tyler Mitchell was only 23 in 2018, when his portrait of Beyoncé became the first Vogue cover by a Black photographer. Already established, he was
The New York Times’s classical music and opera critics see and hear much more than they review. Here is what has hooked them recently. Leave
Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch
For 30 miles we bounce along a dirt road in southwestern Wyoming, heading toward a jagged skyline. It’s early September and the aspens are starting
Ronald Chammah, who owns a pair of small cinemas on the Left Bank of Paris, remembers well the grim days in 2022, when he wondered
This article is part of our Design special section about the reverence for handmade objects. On the San Juan Islands off northwest Washington State, land
It seemed obvious after the first couple of hours of volleying frantic choreography instructions with my pal that Split Fiction will go down as one
When Michael Visontay’s mother died in 2020, he came upon a vast cache of his family’s papers. These held aspects of family history he already
Lisa Sanaye Dring’s “Sumo” offers New Yorkers who are little exposed to that ancient Japanese discipline an opportunity to learn about it in an atmosphere
The archives of The New Yorker, housed at the New York Public Library, consist of more than 2,500 boxes of manuscripts, letters, page proofs, cartoons,
The other tenor role is more herculean: Florestan, sung at the Met by David Butt Philip with ardent tirelessness matched only by his dramatic bravery.
“Hamilton,” the musical theater juggernaut about the birth of American democracy, is canceling plans to perform next year at the John F. Kennedy Center for
Juan Hamilton, an aspiring artist who enriched the last years of the painter Georgia O’Keeffe as her much younger caretaker, confidant and protégée, but who
Pierre Joris, a poet and translator who tackled some of the 20th century’s most difficult verse, rendering into English the complex work of the German-Romanian
A forthcoming romance novel by the writer Sophie Lark was pulled by her publisher after drawing criticism from readers over dialogue that some found racist
