Scream 7 Sets a Franchise Record
Scream fans rejoice! Not only did Scream 7 open about $20 million more than we predicted earlier this week, but it also set a franchise record with a powerful $64.1 million opening. That beats the previous champ, Scream VI (weird how that one had a Roman numeral), by a wide margin, with it having opened to a then-potent $44.6 million. No wonder Paramount, a studio that’s been starved for consistent hits lately, is keen to keep this franchise going. I wouldn’t be surprised if, by mid-week, a Scream 8 is already greenlit, likely with Neve Campbell and writer-director Kevin Williamson returning.
Holdovers: GOAT Stays Strong While Wuthering Heights Slips
As for this week’s holdovers, GOAT showed real staying power in second place, making another $12 million — a decline of only 29%. Its domestic gross is at $73.9 million now, although it has major competition for family audiences next weekend with Pixar’s Hoppers.
Emerald Fennell’s Wuthering Heights keeps losing steam, declining another 50% to $6.9 million in third place, with a $72.3 million domestic gross. While that’s a very good number for a literary adaptation, it seems unlikely to cross the century mark domestically, which has to be a disappointment for distributor Warner Bros., who were banking on it becoming more of a phenomenon than it ended up being.
Concert Films Deliver Solid Numbers
Unexpectedly, two concert films took fourth and fifth place, with Twenty-One Pilots: More Than We Ever Imagined making a strong $3.72 million, while Baz Luhrmann’s EPiC: Elvis Presley in Concert has turned out to be a solid hit for NEON, making $3.5 million this weekend for a $7.8 million total.
Big Budget Trouble for Crime 101
Amazon/MGM’s Crime 101 came in sixth, with only about $3.4 million for a $30 million domestic total. That’s a pretty weak gross for a movie that cost at least $90 million, with star Chris Hemsworth untested as a box office attraction outside of the MCU.
The faith-based I Can Only Imagine 2 also took a harder fall than expected in week two, dropping a huge 60% to $3.1 million for a $13 million domestic total. It’s only going to make a fraction of the $83 million its predecessor made. The faith-based business is a lot more crowded now than it was when the first movie came out, with Angel Studios having cornered the market in some ways.
The Hits, The Duds & The Fade-Outs
Sam Raimi’s Send Help continued to be the little blockbuster that could, making another $2.8 million for a solid $59.9 million domestic total.
At the same time, would-be superstar Glen Powell’s How to Make a Killing has proved to be a major dud, falling 49% to ninth place with $1.5 million (an embarrassing $905 per-screen average according to Comscore) for a $6.2 million domestic total.
Finally, Disney’s Zootopia 2 has started to wrap up its long run with $1.4 million, bringing it to a massive $425 million domestic total. According to Exhibitor Relations, 20th Century Studios’ Psycho Killer had one of the worst second weekends in history, losing 81% of its audience to gross only $300,000 for a $2.3 million total. Ouch.
Next Weekend: A Three-Way Showdown?
Next weekend should be a good one at the box office, with Pixar’s Hoppers, Scream 7 in week two, and WB’s The Bride(a Frankenstein reimagining) jockeying for first place. Who will win? Let us know in the comments!
