
Kier
The ending of American Psycho is deliberately ambiguous. Christian Bale’s Patrick Bateman may be a serial killer, a delusional fantasist, or both—but the film’s real message is that the truth doesn’t matter in a society obsessed with image, status, and consumption. Bateman’s final confession is dismissed, leaving him trapped in a world where identity is interchangeable and meaning is impossible.
What Happens at the End of American Psycho?
As the film approaches its climax, Patrick Bateman’s carefully constructed persona collapses. His violent behavior escalates into surreal excess: exploding police cars, endless ammunition, an ATM demanding human sacrifice. Reality fractures, or at least Bateman’s perception of it does.
Panicked and unraveling, Bateman leaves a rambling voicemail confession for his lawyer, Harold Carnes, detailing murders, torture, and cannibalism—including the killing of Paul Allen. It is the only moment in the film where Bateman sounds genuinely emotional and vulnerable.
The following day, Bateman returns to Paul Allen’s apartment expecting to find evidence of his crimes. Instead, he finds a spotless, empty unit. A realtor quietly but firmly urges him to leave, prioritizing the property’s value over any uncomfortable truth.
Finally, Bateman confronts Carnes in a bar, demanding recognition. Carnes laughs it off, mistakes Bateman for another colleague, and insists Paul Allen is alive and well. Bateman’s confession—his desperate attempt at meaning—is erased.

Is Patrick Bateman an Unreliable Narrator?
Yes. American Psycho is structured entirely around Bateman’s fractured perception of reality.
- Characters constantly mistake each other’s identities
- Colleagues are interchangeable in looks, status, and behavior
- Bateman himself struggles to feel “real”
This intentional confusion mirrors Bateman’s psychological state. The audience experiences events as Bateman does—through a lens distorted by narcissism, alienation, and emotional emptiness.
Did Patrick Bateman Really Kill Anyone?
The film supports three valid interpretations, and refuses to confirm any of them.
Interpretation 1: The Murders Were Real
Bateman committed the killings, but wealth and social indifference erased the consequences. The cleaned apartment and Carnes’ dismissal reflect a system that protects status over truth.
Meaning: Capitalism and privilege are more dangerous than violence itself.
Interpretation 2: The Murders Were Fantasies
Bateman never killed anyone. The violence exists only in his mind—an escape from emotional emptiness. The ATM scene and exaggerated action suggest a psychological break rather than literal events.
Meaning: Bateman is not a predator evading justice, but a hollow man fabricating horror to feel something.
Interpretation 3: Reality and Delusion Are Intertwined
Some early acts may be real, while later events spiral into fantasy. As Bateman loses his grip on identity, his thoughts and actions blur together.
Meaning: The ambiguity reflects Bateman’s fractured self. Truth becomes secondary to disconnection.

What Is the Real Meaning of the Ending?
The ending is not about solving a mystery—it’s about confronting insignificance.
Bateman wants his crimes to matter. He wants punishment, acknowledgment, recognition. Instead, his confession is ignored. He is misidentified, dismissed, and absorbed back into the noise of 1980s excess.
In this world:
- Identity is interchangeable
- Attention is superficial
- Truth is inconvenient
Bateman’s horror isn’t that he got away with murder—it’s that even murder can’t give his life meaning.
Why the Ending Still Resonates Today
American Psycho endures because it understands something deeply unsettling:
a society obsessed with surfaces creates people who vanish beneath them.
Bateman is not punished because punishment would require awareness. Closure would require attention. Instead, the film leaves him trapped in an endless loop of consumption, fantasy, and emptiness.
Final Line Explained: “My Confession Has Meant Nothing”
This line is the film’s thesis distilled.
Bateman’s confession—his most honest moment—changes nothing. Not because no one believes him, but because no one is listening. His violence, whether real or imagined, dissolves into irrelevance.
There is no justice.
No redemption.
No meaning.
Only silence.
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