Why We (Still) Think the Grammys Are Good Now

Why We (Still) Think the Grammys Are Good Now


As Grammy nights go, this year’s ceremony was a pleasant surprise. Beyoncé took home the top album prize, ending a decades-long shutout. Kendrick Lamar translated a rap beef into two huge wins, for song and record of the year. And the up-and-comers Chappell Roan, Sabrina Carpenter and Doechii won big prizes and delivered memorable performances.

All in all, it felt like a snapshot of pop music’s rapidly evolving landscape, in which young artists with highly developed senses of self and performance are remaking stardom at a rapid clip.

On this week’s Popcast, a conversation about the Grammys’ relationship to its own metanarrative, the use of the Grammy stage as a place of protest and pushback; and whether this year’s show marked a true changing of the pop guard.

Guests:

  • Joe Coscarelli, The New York Times’s pop music reporter

  • Caryn Ganz, The New York Times’s pop music editor

  • Jon Pareles, The New York Times’s chief pop music critic

  • Lindsay Zoladz, a pop music critic for The New York Times

Connect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica.

Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.





Source link

Share:

Facebook
Twitter
Pinterest
LinkedIn

Leave a Reply

Your email address will not be published. Required fields are marked *

Most Popular

Social Media

Get The Latest Updates

Subscribe To Our Weekly Newsletter

No spam, notifications only about new products, updates.

Categories